Kazner
02-07-2012, 03:14 PM
Selling as a set. MB: 500k BO: 2.5mCB: Sold on BO to Lumi
Auction will go once, twice, thrice, sold. Buyouts will be considered.
an ancient sinew-bound katana - 4x, standard katana weighting
>take katana
With deliberate poise, you draw the sinew-bound katana
from your scabbard, bringing it up, gripped in both hands,
into a ready position.
>grip one-handed
You grip the sinew-bound katana with one hand.
>grip two-handed
You grip the sinew-bound katana with both hands.
>look at katana
Two rings of blackened steel interweave to form the tsuba
of this ancient katana. A yellowed bone hilt is bound in
lengths of dark, faded sinew, and is decorated with a
splatter of dried blood. Just above the tang, in crudely
carved letters, is the name, "Scylding."
>inspect katana
You carefully inspect your sinew-bound katana.
After a careful inspection you determine that an ancient
sinew-bound katana requires skill in twohanded weapons to
use effectively.
It looks like this item has been mainly crafted out of
vultite.
>weigh katana
You carefully examine the sinew-bound katana and determine
that the weight is about 5 pounds.
Roundtime: 5 sec.
>prod katana
You admire the quality and craftmanship of an ancient
sinew-bound katana.
>clench katana
You tighten your grip on an ancient sinew-bound katana,
holding the katana at your side.
>lean katana
Putting your lead foot back, you bring an ancient sinew-
bound katana to the left across your body with a watchful
eye.
>wave katana
You slowly weave an ancient sinew-bound katana from side
to side, looking to deflect an attack.
>bounce katana
You jump back and pull your katana to the ready!
>touch cry
You touch the crystal with one hand, your sinew-bound
katana in the other hand. Tiny sparks of brilliant golden
light dance across your katana. A green beam shoots up
from your sinew-bound katana toward the ceiling. A low
resonant note sounds, echoing through the room.
>put kat in my sash
With a fluid movement, you slide your katana into your
lacquered onyx-banded ebonwood scabbard with a barely
audible *snick!*
an ornate vultite kozuka with a platinum-worked grip - 4x dagger base
>take koz
With a nearly imperceptible movement, you neatly draw your
vultite kozuka from the scabbard and bring it to a ready
position.
>look at kozuka
You see nothing unusual.
>inspect kozuka
You carefully inspect your vultite kozuka.
After a careful inspection you determine that an ornate
vultite kozuka with a platinum-worked grip requires skill
in edged weapons to use effectively. It appears to be a
modified dagger.
It looks like this item has been mainly crafted out of
vultite.
>weigh kozuka
You carefully examine the vultite kozuka and determine
that the weight is less than 2 pounds.
Roundtime: 5 sec.
>touch cry
You touch the crystal with one hand, your vultite kozuka
in the other hand. Tiny sparks of brilliant golden light
dance across your kozuka. A green beam shoots up from
your vultite kozuka toward the ceiling.
a worn white linen sash stained with blood and dirt - holds Asian-themed weapons only
>look at sash
A worn white linen sash stained with blood and dirt made
of fine linen and decorated with masterful skill winds
securely around two scabbards. The sash is set so that
both will rest off the left hip. The first, brushed
steel-capped ivory scabbard, is set slightly forward and
lower than the second, lacquered onyx-banded ebonwood
scabbard. Both are angled for a quick draw in combat.
>rub sash
You run your fingers along the white linen sash, enjoying
the textures of brushed steel-capped ivory scabbard and
lacquered onyx-banded ebonwood scabbard beneath your
fingers.
>
>tilt sash
You pause for a moment to tilt lacquered onyx-banded
ebonwood scabbard back and forth, watching the light play
off it.
>
>tap sash
Your fingers drum brushed steel-capped ivory scabbard idly
as you wait for something to happen.
>
>push sash
You push lacquered onyx-banded ebonwood scabbard back a
little, adjusting your white linen sash in the process.
>
>press sash
You push lacquered onyx-banded ebonwood scabbard back a
little, adjusting your white linen sash in the process.
>
>pull sash
You tug a bit on your brushed steel-capped ivory scabbard,
pulling it forward until you're comfortable with its
position.
>
>turn sash
You adjust the white linen sash, moving brushed steel-
capped ivory scabbard and lacquered onyx-banded ebonwood
scabbard until they sit just right.
>
>remove sash
You carefully unknot the white linen sash and coil the
excess length in your hand, along with brushed steel-
capped ivory scabbard and lacquered onyx-banded ebonwood
scabbard.
>
>wear sash
You carefully wrap the linen of the white linen sash
around you, bringing it to the front and positioning it
carefully as you knot it, making sure brushed steel-capped
ivory scabbard and lacquered onyx-banded ebonwood scabbard
are in their place and rest comfortably.
>look in sash
A worn white linen sash stained with blood and dirt made
of fine linen and decorated with masterful skill winds
securely around two scabbards. The sash is set so that
both will rest off the left hip. The first, brushed
steel-capped ivory scabbard, is set slightly forward and
lower than the second, lacquered onyx-banded ebonwood
scabbard. Both are angled for a quick draw in combat.
In the white linen sash you see an ancient sinew-bound
katana and an ornate vultite kozuka.
Auction will go once, twice, thrice, sold. Buyouts will be considered.
an ancient sinew-bound katana - 4x, standard katana weighting
>take katana
With deliberate poise, you draw the sinew-bound katana
from your scabbard, bringing it up, gripped in both hands,
into a ready position.
>grip one-handed
You grip the sinew-bound katana with one hand.
>grip two-handed
You grip the sinew-bound katana with both hands.
>look at katana
Two rings of blackened steel interweave to form the tsuba
of this ancient katana. A yellowed bone hilt is bound in
lengths of dark, faded sinew, and is decorated with a
splatter of dried blood. Just above the tang, in crudely
carved letters, is the name, "Scylding."
>inspect katana
You carefully inspect your sinew-bound katana.
After a careful inspection you determine that an ancient
sinew-bound katana requires skill in twohanded weapons to
use effectively.
It looks like this item has been mainly crafted out of
vultite.
>weigh katana
You carefully examine the sinew-bound katana and determine
that the weight is about 5 pounds.
Roundtime: 5 sec.
>prod katana
You admire the quality and craftmanship of an ancient
sinew-bound katana.
>clench katana
You tighten your grip on an ancient sinew-bound katana,
holding the katana at your side.
>lean katana
Putting your lead foot back, you bring an ancient sinew-
bound katana to the left across your body with a watchful
eye.
>wave katana
You slowly weave an ancient sinew-bound katana from side
to side, looking to deflect an attack.
>bounce katana
You jump back and pull your katana to the ready!
>touch cry
You touch the crystal with one hand, your sinew-bound
katana in the other hand. Tiny sparks of brilliant golden
light dance across your katana. A green beam shoots up
from your sinew-bound katana toward the ceiling. A low
resonant note sounds, echoing through the room.
>put kat in my sash
With a fluid movement, you slide your katana into your
lacquered onyx-banded ebonwood scabbard with a barely
audible *snick!*
an ornate vultite kozuka with a platinum-worked grip - 4x dagger base
>take koz
With a nearly imperceptible movement, you neatly draw your
vultite kozuka from the scabbard and bring it to a ready
position.
>look at kozuka
You see nothing unusual.
>inspect kozuka
You carefully inspect your vultite kozuka.
After a careful inspection you determine that an ornate
vultite kozuka with a platinum-worked grip requires skill
in edged weapons to use effectively. It appears to be a
modified dagger.
It looks like this item has been mainly crafted out of
vultite.
>weigh kozuka
You carefully examine the vultite kozuka and determine
that the weight is less than 2 pounds.
Roundtime: 5 sec.
>touch cry
You touch the crystal with one hand, your vultite kozuka
in the other hand. Tiny sparks of brilliant golden light
dance across your kozuka. A green beam shoots up from
your vultite kozuka toward the ceiling.
a worn white linen sash stained with blood and dirt - holds Asian-themed weapons only
>look at sash
A worn white linen sash stained with blood and dirt made
of fine linen and decorated with masterful skill winds
securely around two scabbards. The sash is set so that
both will rest off the left hip. The first, brushed
steel-capped ivory scabbard, is set slightly forward and
lower than the second, lacquered onyx-banded ebonwood
scabbard. Both are angled for a quick draw in combat.
>rub sash
You run your fingers along the white linen sash, enjoying
the textures of brushed steel-capped ivory scabbard and
lacquered onyx-banded ebonwood scabbard beneath your
fingers.
>
>tilt sash
You pause for a moment to tilt lacquered onyx-banded
ebonwood scabbard back and forth, watching the light play
off it.
>
>tap sash
Your fingers drum brushed steel-capped ivory scabbard idly
as you wait for something to happen.
>
>push sash
You push lacquered onyx-banded ebonwood scabbard back a
little, adjusting your white linen sash in the process.
>
>press sash
You push lacquered onyx-banded ebonwood scabbard back a
little, adjusting your white linen sash in the process.
>
>pull sash
You tug a bit on your brushed steel-capped ivory scabbard,
pulling it forward until you're comfortable with its
position.
>
>turn sash
You adjust the white linen sash, moving brushed steel-
capped ivory scabbard and lacquered onyx-banded ebonwood
scabbard until they sit just right.
>
>remove sash
You carefully unknot the white linen sash and coil the
excess length in your hand, along with brushed steel-
capped ivory scabbard and lacquered onyx-banded ebonwood
scabbard.
>
>wear sash
You carefully wrap the linen of the white linen sash
around you, bringing it to the front and positioning it
carefully as you knot it, making sure brushed steel-capped
ivory scabbard and lacquered onyx-banded ebonwood scabbard
are in their place and rest comfortably.
>look in sash
A worn white linen sash stained with blood and dirt made
of fine linen and decorated with masterful skill winds
securely around two scabbards. The sash is set so that
both will rest off the left hip. The first, brushed
steel-capped ivory scabbard, is set slightly forward and
lower than the second, lacquered onyx-banded ebonwood
scabbard. Both are angled for a quick draw in combat.
In the white linen sash you see an ancient sinew-bound
katana and an ornate vultite kozuka.